Rastafarianism

Mystery in Motion: African American Spirituality in Mardi Gras

Online Exhibitions


Rastafarianism is a political and religious movement that began in Jamaica in the early 1930s. Responding to the legacy of enslavement and colonial domination, Black Jamaicans envisioned Ethiopia and its savvy and successful emperor, Haile Selassie, who ruled from 1930 to 1974, as fulfillment of biblical prophecies for independent African rule and African divinity. A central tenet is repatriation from the oppressive West, called Babylon, to an African ancestral home, which followers called Zion. This pan-African movement spread globally, in part because of the popularity of its signature music, reggae, beginning in the 1970s. 

Selassie visited New Orleans, deep in the Jim Crow South, while on an official tour of the United States in 1954. At city hall Mayor deLesseps “Chep” Morrison, who supported segregationist policies even as he sought Black political favor, gave the emperor a royal welcome and made him an honorary citizen of New Orleans. During his visit, Selassie made it clear that the recent United States Supreme Court’s Brown v. Board of Education decision calling for the desegregation of public schools was an important step in social justice. 

While New Orleans was fascinated with Selassie, it is his role as spiritual inspiration to Blacks around the world that would speak to later generations. Demond Melancon, a practicing Rastafarian and Big Chief of the Young Seminole Hunters, has built a trio of suits focused on Ethiopia, Haile Selassie, and his empress, Menen Asfaw, starting with his 2010 suit, titled Haile Selassie, worn as a Spy Boy for the Seminole Hunters. His 2018 suit, called Ethiopia, sports a number of people and spiritual sites from that country. Melancon’s 2020 suit, Jah Defender, highlights the late Saint Croix reggae artist Akae Beka, a well-known follower of Selassie and creator of hypnotic reggae. 

Eric Burt’s 2017 suit reflects his spiritual transformation from embracing the Rastafarian religion. The suit contains the Ethiopian and Rasta colors: red, gold, and green, with the iconography of the “Conquering Lion of Judah,” which refers to Selassie’s official title, His Imperial Majesty the King of Kings of Ethiopia, Conquering Lion of the Tribe of Judah, Elect of God. Burt sees the sewing process as spiritual; he prays while he beads, creating a meditative zone. The local Rastafarian community and other masking Indians praised the Conquering Lion of Judah suit.

Ethiopia, Demond Melancon, Big Chief of the Young Seminole Hunters. Photograph by Gabriel Bienczycki, 2018.
Ethiopia, Demond Melancon, Big Chief of the Young Seminole Hunters
Photograph by Gabriel Bienczycki, 2018
Eric Burt. Photograph by Katy Reckdahl, 2017.
Eric Burt
Photograph by Katy Reckdahl, 2017
Haile Selassie, Demond Melancon, Spy Boy of the Seminole Hunters. Photograph by Christopher Porché West, 2010.
Haile Selassie, Demond Melancon, Spy Boy of the Seminole Hunters
Photograph by Christopher Porché West, 2010

The traditional story of the origin of Black masking Indians is that the practice emerged to pay homage to Native Americans who had sheltered runaway enslaved people. In creating his suits, Demond Melancon shifted attention to rebellions plotted by these fugitive communities, such as the exploits of Bras-Coupé, a legendary escapee who led raids to supply the runaway, or maroon, settlements. Melancon has also focused on masking mentors, such as Ferdinand Bigard, whose beaded artwork Eye of God is on display in this exhibition.
Browse Topics

Mystery in Motion: African American Spirituality in Mardi Gras
Online Exhibition

Resa “Cinnamon Black” Bazile, Second Queen of the Spirit of Fi Yi Yi and the Mandingo Warriors. Photograph by Vincent Simmons.

The Sewing Uprising

Cherice Harrison-Nelson, Big Queen of the Guardians of the Flame Maroon Society. St. Joseph’s Night. Photograph by Cheryl Gerber Photo, 2019.

Catholicism

Royce Osborn, co-founder of the Congo Square Skull and Bone Gang. Phillip Colwart Photography, 2013.

Louisiana Voodoo

Ausettua AmorAmenkum, Big Queen of the Washitaw Nation, Cheryl Gerber Photo, 2018

African Influences

Janet “Sula” Evans, Medicine Queen of the Spirit of Fi Yi Yi and the Mandingo Warriors, Downtown Super Sunday. Photograph by Vincent Simmons, 2017.

Music, Dancing, and Chanting

The Honorable Elijah Muhammad, Peteh Muhammad Haroon, Trail Chief of Golden Feather Hunters. Cheryl Gerber Photo, 2020.

Islam

Ethiopia, Demond Melancon, Big Chief of the Young Seminole Hunters. Photograph by Gabriel Bienczycki, 2018.

Rastafarianism

Serenity Peace Birds. Photograph by Josh Brasted, 2014.

The Lore of Flying Africans

Memorial umbrella in honor of Mary “Grams” Braud Harris. Photograph by Michael Mastrogiovanni, 2020.

In Memoriam

Floyd Track, Second Chief of the Wild Tchoupitoulas. Mardi Gras. Phillip Colwart Photography, 2017.

Native American Inspirations