Louis Nicholas Adolphe Rinck

French, 1802–1895

Born in Metz, France, Rinck's father was a Hessian officer, suggesting that German was the first language. His full name is Louis Nicolas Adolphe Rinck, though he has often been misidentified as "Adolph D. Rinck." He studied at the Berlin Academy in the mid-1820s and enrolled in the École des beaux-arts in Paris in 1835.

Rinck moved to New Orleans in 1840 and was soon earning about $2,000 per year, describing himself as an "ami de M. Vaudechamp" in the New Orleans Bee. He remained in New Orleans for thirty years. Margarette, his wife, owned a shop located in the Pontalba Buildings during the early 1850s. After 1869, Rinck spent many years seeking support from the State Legislature for a model farm he intended to establish on property he purchased in Algiers. He published a detailed plan to bring "Happiness to Millions," but was disappointed with the response. Rinck left New Orleans for New York City in about 1871.

Rinck painted portraits of Judah Benjamin Charles Alexandre and Charlotte Euphemie Mathilde Grevemberg, Judah Touro, Jean Baptiste Dejan, as well as of unheralded individuals—most famously Free Woman of Color, New Orleans (University Art Museum, University of Louisiana at Lafayette), probably representing an unidentified woman in Rinck's employ. Rinck's example had an evident impact on artists such as George David Coulon (1822–1904) and Julien Hudson (1811–1844).

Mrs. Victor DeJan née Clara Abat. Adolphe Rinck, 1841. Oil on canvas, 32 x 26 inches. Signed upper right in red paint, “Rinck 1841.” Gift of Mrs. Victor Dejan. Louisiana State Museum 09864.03.
Mrs. Victor DeJan née Clara Abat
Adolphe Rinck, 1841
Oil on canvas, 32 x 26 inches, signed upper right in red paint, "Rinck 1841"
Gift of Mrs. Victor Dejan, Louisiana State Museum 09864.03

Josephine Clara Abât was born in New Orleans in 1819, four years after the marriage of her parents, Antoine Abât (1770–1832) and Anne Marie Victoria Félicité Durel (b. 1766). She married Victor Dejan in 1832. Their only two children did not survive to adulthood. The portrait shows the clarity, precision, and finish associated with neoclassicism, together with a softer, more Romantic treatment of the sitter's features.
Jean Baptiste Dejan, Jr. Adolphe Rinck, 1851. Oil on canvas, 32 x 25 5/8 inches. Gift of Mrs. Victor Dejan, Louisiana State Museum 09864.01.
Jean Baptiste Dejan, Jr.
Adolphe Rinck, 1851
Oil on canvas, 32 x 25 5/8 inches
Gift of Mrs. Victor Dejan, Louisiana State Museum 09864.01

Rinck's style becomes increasingly precise and even mechanical during the early 1850s.
Victor Dejan. Adolphe Rinck, 1841. Oil on canvas, 32 x 25 5/8 inches. Gift of Mrs. Victor Dejan, Louisiana State Museum 09864.02
Victor Dejan
Adolphe Rinck, 1841
Oil on canvas, 32 x 25 5/8 inches
Gift of Mrs. Victor Dejan, Louisiana State Museum 09864.02
Mme. Jean Baptiste LePretre (née Sophie Andry) Adolphe Rinck, 1843 Oil on canvas, 44 x 36 1/2 in. (111.8 x 92.7 cm) Gift of Mrs. Heda K. Meysenburg, Louisiana State Museum 13061
Mme. Jean Baptiste LePretre (née Sophie Andry)
Adolphe Rinck, 1843
Oil on canvas, 44 x 36 1/2 in. (111.8 x 92.7 cm)
Gift of Mrs. Heda K. Meysenburg, Louisiana State Museum 13061

During the mid-1840s, Rinck sometimes added imaginary backgrounds with mountains and other geographic improbabilities, columns, and grand swags of drapery. The dramatic, hazy skies recall similar treatments in paintings by Eugène Delacroix.
Select Painters from the Visual Arts Collection
Hilary Breton Cenas. Attributed to Jacques Guillaume Lucien Amans, c. 1850. Oil on canvas, 27 x 22 inches. Loan of Mrs. Rene T. Beauregard. Louisiana State Museum 07052

Jacques Guilliaume Lucien Amans

French, 1801–1888

Comte Louis Philippe Joseph de Roffignac. John L. Boqueta de Woiseri, c. 1803. Oil on canvas, 26 ¼ x 19 ½ inches. Louisiana State Museum 00235.

John L. Boqueta de Woiseri

French, fl. 1797–1815

Pere Antoine de Sedella, c. 1820. Attributed to Edmund Brewster. Oil on canvas, 23 1/2 x 19 1/2 inches. Estate of Dr. Joseph Bauer. Louisiana State Museum 02348.

Edmund Brewster

English, 1784–fl. 1824

General Zachary Taylor. William Garl Brown, Jr., 1848. Oil on canvas, 36 x 29 1/8 inches. Gift of Hugh Thompson Flynn. Louisiana State Museum 02686.

William Garl Brown, Jr.

English, 1823–1894

Marie Constant Carlin. Etiénne Constant Carlin, c. 1841. Oil on canvas, 30 x 25 inches. Signed in upper left corner in red paint, “Constant Carlin.” Louisiana State Museum 05756.

Etiénne Constant Carlin

French, 1808–1869

Creole Woman. Charles-Jean-Baptiste Colson, 1837. Oil on canvas, 32 x 25 ½ inches. Louisiana State Museum 05792.

Charles-Jean-Baptiste Colson

French, fl. 1810–1851

Antoine Julien Meffre-Rouzan. Eugène-François-Marie-Joseph Devéria,  1833. Oil on canvas, 51 1/4 x 38 ½ inches. Signed lower right in brown paint, “Eug. Deveria 1833.” Gift of Estate of Mrs. Paul Brierre, Louisiana State Museum 11427.001.

Eugène-François-Marie-Joseph Devéria 

French, 1805–1865

Zenon Roman. Francis Martin Drexel, 1825. Oil on canvas, 33 ¾ x 26 ¾ inches. Signed lower left in red paint, “Drexel 1825.” Louisiana State Museum 11538.

Francis Martin Drexel

Austrian, 1792–1863

Hazy Morning in December. Alexander John Drysdale, c.1913. Oil on board, 17 ¾ x 23 ¾ inches. Signed lower right corner in gray paint, “A. J. Drysdale 1913.” Louisiana State Museum 12755.

Alexander John Drysdale

American, 1870–1934

André. Caroline Wogan Durieux, c. 1933. Oil on canvas, 18 x 14 inches. Signed lower left in brown paint, “Caroline Durieux 1933.” Louisiana State Museum Purchase, Wm. R. Irby Fund, 1994.003.23.1.

Caroline Wogan Durieux

American, 1896–1989

François Urban Meilleur. Mr. Feuille, 1836. Oil on canvas, 23 ¼ x 29 ¼ inches. Loan of Mrs. A. W. Lewin, Louisiana State Museum 08943.01.

Mr. Feuille

French (?), fl. 1835–1841

Children of Comte Louis Amedée de Barjac. François Fleischbein, 1839. Oil on canvas, 35 3/4 x 29 inches. Gift of Gift of Mrs. Zuma Salaun. Louisiana State Museum 09461.

François Jacques Fleischbein

German, 1801–1868

Jazz Mural at Dixie’s Bar of Music. Xavier Gonzales, 1938-1941. Oil on canvas, 60  x 370 inches. Signed upper right in black paint, “Xavier Gonzales, New York.” Gift of Irma and Yvonne Dixie Fasnacht. Louisiana State Museum 1978.61.

Xavier Gonzales

Spanish, 1889–1993

Jean Michel Fortier III. Julien Hudson, 1839. Oil on canvas, 30 x 25 inches. Gift of Marguerite Fortier. Louisiana State Museum 11321.

Julien Hudson

American, 1811–844

The Battle of New Orleans. Louis Eugene Lami, 1839. Oil, 129 x 196 inches. Gift of the State of Louisiana, Louisiana State Museum 1991.080

Louis-Eugène Lami

French, 1800–1890

Dona Maria Theresa Piconelle. Antonio Meucci, c. 1818. Watercolor on ivory, 3 1/4 x 2 5/8 inches. Louisiana State Museum 08943.30.

Antonio and Nina Meucci 

Italian, fl. 1818–1834, and Spanish, fl. 1818–ca. 1830 (respectively)

Clarisse and Caroline Duchamp.  Pierre Raymond Jacques Monvoisin, 1840. Oil on canvas, 39 ½ x 32 ¼ inches. Gift of Mrs. P. Malarcher. Louisiana State Museum 08111.3.

Pierre-Raymond-Jacques Monvoisin

French, 1794–1870

Do You Know Him? Sister Gertrude Morgan, c. 1970. Acrylic and felt tip pen on paper, 11 ¼ x 8 ¼ inches. Gift of The Gitter-Yelen Foundation. Louisiana State Museum 1998.025.029.

Sister Gertrude Morgan

American, 1900–1980

Long-Billed Curlew or Corbigeau. Achille Peretti. Oil on canvas, 21 15/16 x 29 1/2 inches Signed, lower right. "A Perelli, N.O.” Louisiana State Museum 12480.

Achille Peretti

Italian, 1857–1923

Mrs. Victor DeJan née Clara Abat. Adolphe Rinck, 1841. Oil on canvas, 32 x 26 inches. Signed upper right in red paint, “Rinck 1841.” Gift of Mrs. Victor Dejan. Louisiana State Museum 09864.03.

Louis Nicholas Adolphe Rinck

French, 1802–1895 

The Montegut Family. José Francisco Xavier de Salazar y Mendoza, c. 1794–1800. Oil on canvas, 59 x 74 ½ inches. Loan of Gustave Pitot. Louisiana State Museum 04944-04945.

José Francisco Xavier de Salazar y Mendoza

Mexican, c. 1750–1802

Mrs. Leonard Wiltz. Luigi Marie Sotta, 1841. Oil on canvas, 31 15/16 x 25 ½ inches. Signed lower right in dark red, “Luigi Maria Sotta 1841.” Louisiana State Museum 08415.07.

Luigi Maria Sotta

Italian, 1807–1882

Studio with View of St. Louis Cathedral from Upper Pontalba Building. William Phillip Spratling, 1925. Oil on canvas. Gift of Mr. Franz Blom, Louisiana State Museum 11938.1

William Phillip Spratling

American, 1900–1967

Andrew Jackson. Attributed to Thomas B. Thorpe. Attributed to Ralph Eleaser Whiteside Earl. c. 1835–1845. Oil on canvas, 30 x 24 inches. Gift of Albert L. Lieutaud. Louisiana State Museum 1971.038.

Thomas Bangs Thorpe

American, 1815–1878

Hoisting American Colors, Louisiana Cession, 1803. Thure de Thulstrup, 1903. Oil on canvas, 84 x 66 inches. Loan of the Louisiana Historical Society, Louisiana State Museum 01793.

Thure de Thulstrup

Swedish, 1848–1930

Pierre Verloin DeGruy Jr. Attributed to John Vanderlyn, ca. 1821. Oil on canvas, 30 x 25 inches. Gift of Mrs. Grace von Schneidau Brown, Louisiana State Museum 1955.077.

John Vanderlyn

American, 1775–1852

Collections of the Louisiana State Museum
Madame John’s Legacy, William Woodward, ca. 1910, oil on canvas, Louisiana State Museum 12231

Visual Arts Collection

King Oliver's band playing on the sidewalk, Walter C. Allen, 1921. Gift of the New Orleans Jazz Club. Louisiana State Museum 1978.118(B).00665.

Jazz Collection

This woolen coat was worn by U.S. Army Lt. Col. William Sutherland Hamilton who saw action in the Great Lakes early in the War of 1812, and possibly in skirmishes near New Orleans in 1815. Hamilton later became a prominent planter and politician in West Feliciana Parish, serving in the Louisiana Legislature and running unsuccessfully for governor in 1830. (Louisiana State Museum)

Costumes & Textiles Collection

Airplane Exhibit at Wedell-Williams Aviation and Cypress Sawmill Museum

Science & Technology Collection

Little Miss Muffet mug, Newcomb Pottery, 1928. Louisiana State Museum 2007.104

Decorative Arts Collection

Louisiana Colonial Documents

Louisiana Historical Center